He was the ultimate romantic hero of that time. Rajesh Khanna was a superstar with tremendous aura to captivate his female fans. Kannada cinema is dedicated to the production of motion pictures in the Kannada language widely spoken in the state of Karnataka.
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Majority Kannada films are of the popular genres like sentimental, melodramatic, escapist, full of songs and dance. Recently Updated Articles in Indian Movies All these Maratha directors have made award-winning films. Vaidya, Mahesh Kothari, Sanjay Rawal, Nichiket and Jayoo Patwardhan, Sanjay Soorkar, Sachin Pilgaonkar and Chandrakant Kulkarni. The Maratha cinema has also benefited from Maratha directors like Shamrao Mane, Vasant Joglekar, Murlidhar Kapdi, Jayu and Nachiket Patwardhan, Ashok Saraf, V. He is winner of 1995 Nargis Dutt Award for Best Feature Film on National Integration for his Marathi film, Mukta.Īmongst the contemporary Maratha directors there is Govind Nihalani, Amol Palekar, Mahesh Manjrekar, Sumitra Bhave, Sunil Sukthankar, Gajendra Ahire, Bipin Nadkarni and Nishikant Kamat. Movies, such as, Jait Re Jait, Umbartha, Simhasan, Mukta, Ek Hota Vidushak, and Musafir (Hindi) are accredited to him. Jabbar Razak Patel is another Maratha director who is well known for making classic films. He has made film, such as, Songadya (1971), Pandu Hawaldar (1975), Eakta Jeev Sadashiv (1972), Hyoch Navra Pahije (1980), Aalee Angawar (19187) and others. He is one of the most renowned personalities of Maratha film industry. Krishna Kondke was popularly known as Dada Kondke. Some of these directors have only made one feature film and have further worked as screenplay writers and dialogue writers. Chaugule, Atmaram, Satyadev Dubey, Sharad Pilgaonkar and others. Other prominent Maratha directors are Vinayak Thakur, G. This particular film paid homage to the greatest shehnai player of the century, Ustad Bismillah Khan. In 1959, more success came Bhatt's way with Goonj Uthi Shahnai. The role of the protagonist was played by Bharat Bhushan. Meena Kumari played in her first lead role in this film. One film for which Bhatt will always be remembered is Baiju Bawra. A Gujarati by birth, Vijay Jagneshwar Bhatt lent his lustre both to Marathi and Hindi cinema. The film was a superb musical in the Tamasha style with an anti-zamindar vengeance theme.Īnother Maratha director who deserves mention is Vijay Bhatt. His film Sangte Aika (1959) was a major hit. Another successful Maratha director in Indian cinema was the prolific Anant Mane. He made films such as Pedgaonche Shahane (1952). Raja Paranjpe was another Marathi director and actor who remained active till 1975. Other Maratha directors from this era were L.B.Thakur, Vinayak Sarasvate, Bal Chavan and Madhav Shinde.
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He received the Best Indian Movie award in 1953 for his film Shyamchi Aai and his other film Mahatma Phule (1955) was rewarded with the President's Silver Medal. His movies include Bramhachari, Shyamchi Aai, Premveer (Scriptwriter), Dharmveer (Scriptwriter), Brandichi Batali (Scriptwriter), Paayaachi Daasi (Producer) and Mahatma Phule. He is another prominent Maratha director of the Golden Era. Prahlad Keshav Atre was fondly known as Acharya Atre. Pendharkar made 3 other noteworthy films all set in the same period: Chhatrapati Shivaji (1952), Mohityanchi Manjula (1963) and Maratha Tikuta Melvava (1964). This film, too, is set in the heroic era of the Maratha Empire founded by Shivaji, as a matter of fact, in the reign of his indomitable daughter Yesubai. The film's splendid costumes and sets, the story of the legendary eponymous Peshwa-era judge was beautifully portrayed on the silver screen by the Maratha director.īhalji Pendharkar was a specialist in mythological and historical drama. The film remains popular to this day in Maharashtra an amongst film buffs. The historical Ramshajtri (1944) was directed by Gajanan Jagirdar. Firmly 'Maratha centric', some of the films produced in this period are enduring milestones in the history of Indian cinema. It was traditionally influenced by its rich tradition of theatre, the humorous ' tamasha' style in particular. His last silent movie was Setubandhan and was released in 1932.įrom 1950s onwards the Golden Age in Marathi cinema ushered. The Dadasaheb Phalke Award for lifetime contribution to cinema was instituted in his honour, by Indian Government in 1969, and is the most prestigious award in Indian Cinema. This film is now known as India's first full length feature film. He made his debut with Raja Harishchandra in 1913. Marathi cinema gave to Indian cinema many of its pioneer Marathi directors, like Dadasaheb Phalke who is unanimously considered the father of Indian cinema.